Amunda Gorey, a local artist and co-owner of the No Fixed Gallery. Now she is shaking up the Australian and international art worlds by showcasing 65,000 years of Arrernte culture with her breathtaking contemporary artwork. She collaborates with other local artists including Grace and Myra Gorey to produce a woman-of-color-centric platform bursting with possibilities. Their aim is to portray deep artistic expression while paying respect to the profound tradition of the Arrernte people. In a recent interview on the program Weekend One One, Gorey discussed her new collection. Curious about the ways her art informs her work at Children’s Ground and vice versa, we asked her to share the inspirations behind both.
As soon as you step inside the No Fixed Gallery, the excitement and collaborative energy of the place is unmistakable. It offers a lively environment for creatives to amplify cultural narratives using multiple forms of artistry. The gallery serves purposes beyond aesthetic pleasure. More than just a film about art and multiculturalism, it makes a case for understanding and protecting Arrernte culture in the modern world. The pieces on view represent this dedication. They frequently combine ancient patterns and stories, resonating not only with the communities on which they are painted, but those ranging beyond them.
In her interview, Gorey shared more about how her new body of work was informed by her strong ties to her culture. Each sword is a map of her development as an artist. Perhaps most powerfully, at the same time, it reflects the deep cultural heritage of the Arrernte community. The debate underlined the efficacy of profound listening and bond within her collective imaginative adventure. As always, she is committed to raising voices that are too often ignored.
Alongside her artistic work, Gorey is deeply involved in the governance of Children’s Ground. This aboriginal non-profit organization has been improving and enriching the lives of First Nations children since 1998. To address these needs, the national organization uses an innovative model that ties lifelong learning to a deep-rooted focus on cultural identity and language. Supporting on-the-ground efforts, Gorey has done his most innovative work at Children’s Ground. By passionately pursuing the intersections of art and social justice, she uses creativity as a dynamic force for empowerment.
With her efforts, Gorey hopes to empower youth by uplifting their cultural heritage. Through this work, she creates inclusive learning environments for First Nations children so they thrive. This approach gives them freedom to not only sing, but shout. When it comes to artistry and advocacy, Gorey truly hits the doubleheader. This dual focus has made him a central figure in both the arts community and the world of social impact.
